Before producing my documentary I
ensured I had conducted enough research by watching a variety of documentaries
including complication films, talking heads, direct cinema and
docusoaps. From the outset I was initially interested in the style of turning
heads. I conducted this research in order to discover the typical forms and
conventions of real media products. I mainly focused on looking at
documentaries ‘JLS Revealed’ and ‘Justin Bieber: Never Say Never’ as the style
and genre of the documentaries was very similar to mine. I noted that a number of
documentaries from this genre follow particular conventions, which include; talking heads which deal with the main
issue and a non-diegetic Voice of God narration is used in contrast to the
direct discussion of the interviewees. I chose to analyse ‘Justin Bieber: Never
Say Never’ in depth and looked at what conventions I used and developed and what ones I challenged.
When filming my documentary I used a
variety of shots and created a number of compilations of both images and videos
together. A shot which I used numerous times was a still medium long shot which
was used when shooting the turning head interviews. This is a very popular
convention which the majority of documentaries tend to use. I used this shot
when interviewing Emma, her manager and her friends. Documentary ‘Justin
Bieber: Never Say Never’ also uses this shot frequently when interviewing
associates of Bieber, this particularly shot focuses all your attention on the
subject so they appear as the focal point of the shot. This documentary also
provides nametag titles below the person in the shot so the audience is aware
what relation the person is to Bieber and what importance they have in his
career e.g. ‘RYAN BUTLER, FRIEND’. This aspect was one in which I felt was
essential to include in mine also as I felt it was important for the audience
to know who the people speaking were as they don’t always necessarily
introduced themselves so I provided with the audience with knowledge of ‘ANAIS
AND AMY, EMMA’S BESTFRIENDS’ and ‘LIAM HURLEY, EMMA’S MANAGER’. Shots, which I
believed, were successful as well as powerful was the use of montage shots of
both videos and pictures; this provided the audience with an overview of the
subjects (Emma) life. To express that performing and entertaining has been a
passion for Emma for a long time I included images/photos from an early age
where she appeared in fancy dress or holding a musical instrument. This was a
convention which I have seen appear in many other documentaries including
‘Justin Bieber: Never Say Never’ where we are shown videos of Justin at a young
age playing the drums and performing in front of his family, and the facial
expressions and body language of Bieber himself shows the audience it is
something he loves to do.
One
convention I feel I successfully developed was the use of non-diegetic sound
within my production. Throughout my documentary there featured a Voice of God
voiceover, one was from a narrator which described elements which weren’’t
particularly clear within the scene e.g. “Its not all glitz and glam for Emma,
travelling is very time consuming and takes up a lot of time in her life” this
speech was over laid during shots of a time laps of the roads therefore is
provided in depth information about the individuals life.
The other voice over was from my main protagonist Emma herself, I haven’t seen this present in any documentary which I have studied so would consider this as a convention which I challenged. Although this wasn’t something which I had frequently seen I felt the risk of including it was
effective as it made the documentary appear as more personal and gave a more empowering response to the viewer. As well as the use of a voiceover I also included a soundtrack as part of my non-diegetic sound, throughout my documentary a soundtrack was provided to each different scene and altered depending on the subject of the speech e.g. when Emma discusses her inspirations in life and tells the audience her Brother is her real hero the instrumental of song ‘Say Something- A Great Big World & Christina Aguilera’ is playing in the background; this song is one to be considered of a slow steady tempo which can come across as emotional and sanctioning to the listener. In comparison to when there is a montage of pictures of Emma as a child song ‘Plage- Chrystal Fighters’ is playing which is considered to be a good feeling, happy, upbeat song. I had to adapt the onscreen imagery to fit a song of a particularly genre so the soundtrack didn’t contradict the shots shown. This technique was again used in ‘Justin Bieber: Never Say Never’ and the impact appeared to be successful. This documentary inspired me to use the artists own music as the soundtrack e.g. at the beginning of the documentary during the introduction of the film Justin Bieber’s own song ‘Love Me’ is appearing as the non-diegetic soundtrack. I believed this was a successfully aspect as is associated which the documentary and protagonist itself. I included original song ‘Jessie’s Secret’ which was written and produced by Emma Custis and Marcus Caisey in the background of the scene where Emma is talking about her new single, which is that song.
The other voice over was from my main protagonist Emma herself, I haven’t seen this present in any documentary which I have studied so would consider this as a convention which I challenged. Although this wasn’t something which I had frequently seen I felt the risk of including it was
effective as it made the documentary appear as more personal and gave a more empowering response to the viewer. As well as the use of a voiceover I also included a soundtrack as part of my non-diegetic sound, throughout my documentary a soundtrack was provided to each different scene and altered depending on the subject of the speech e.g. when Emma discusses her inspirations in life and tells the audience her Brother is her real hero the instrumental of song ‘Say Something- A Great Big World & Christina Aguilera’ is playing in the background; this song is one to be considered of a slow steady tempo which can come across as emotional and sanctioning to the listener. In comparison to when there is a montage of pictures of Emma as a child song ‘Plage- Chrystal Fighters’ is playing which is considered to be a good feeling, happy, upbeat song. I had to adapt the onscreen imagery to fit a song of a particularly genre so the soundtrack didn’t contradict the shots shown. This technique was again used in ‘Justin Bieber: Never Say Never’ and the impact appeared to be successful. This documentary inspired me to use the artists own music as the soundtrack e.g. at the beginning of the documentary during the introduction of the film Justin Bieber’s own song ‘Love Me’ is appearing as the non-diegetic soundtrack. I believed this was a successfully aspect as is associated which the documentary and protagonist itself. I included original song ‘Jessie’s Secret’ which was written and produced by Emma Custis and Marcus Caisey in the background of the scene where Emma is talking about her new single, which is that song.
A convention, which I feel many
talking heads interview use is the non-linear format so the footage doesn’t
appear in chronological order throughout. I feel I successfully followed this
convention as throughout my documentary I present a number of images and
videos, which were taken in the past. Although this media isn’t up to date I
felt these needed to be included in order to make my documentary appear to be
authentic and believable. All of the past media, which I included in someway,
showed Emma in a positive light doing what she loved, which was preforming.
Many other documentary’s similar to mine do infact use old imagery and videos as
well e.g. in ‘JLS Revealed’ we see the band in their early days rehearsing
their audition before they went on popular television show ‘The X Factor’ this
is something the audience love to see as they can self create a contrast to
what they were before and how far they have all come as artists. In
my opinion I feel the content of my documentary could potentially challenge the
conventions of talking head interviews as I chose to ignore any negative
aspects which the artist has faced and focus on the positive however many
existing documentaries I have watched do include both. From what I have watched from documentaries
which have previously been made I found
that negative aspects were a huge focus of the narrative and shows how the
artist triumphs and pulls through and comes out to be a successful artist.







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